I've been having parts of this same dream over&over for the last year or so:
I'm inside some huge old dust-covered antiquated radio station. There's ancient equipment scattered everywhere. It looks like the inside of someone's old workshop, now abandoned & cobwebby from disuse. Or like the inside of a giant warehouse I once saw in Wyoming -- full of old record albums & LOTS of other stuff accumulated over the years....
But the equipment still works. Throw a switch & the dials light up, talk into an old dusty mike & the meters move. Throw a master switch & suddenly YOU'RE ON THE AIR.
I don't know if anyone's Out There listening. But now that I know the equipment works, I can't just babble. At least not yet. So I look around....
There are records here. Walk across the dirty old hardwood floor & climb up a rickety old ladder/stairway into another room and there's a beat-up wooden desk/shelf-unit piled high with old 45's. Most of them aren't in paper sleeves -- they're dusty, lightly scratched and a little beat-up, but they're playable. & I have no choice.
They say you don't see colors in dreams, but there's red & blue & rainbow-colored record-labels here, stuff from the '50s & '60s I'm guessing, & I can see names & titles, but I can't remember what they were. Most of it is stuff I've never heard of -- or if I know the artists I've never heard the songs. Doesn't matter, they'll have to do.
I pile up the 20 or 30 least-scratched-up-looking 45's & head back to the main console, where a dusty turntable & a dusty, cobweb-wrapped mike wait for me. I throw a switch, the dials & meters light-up, the turntable actually starts turning, & the big red light/sign over my head goes on: ON THE AIR.
5 watts of pure power, blasting out into the Washington wilderness. Ghod knows if anyone can hear me. Doesn't matter.
"This is KSUM, broadcasting from Summit View, Washington...."
New Order -- Regret, True Faith.
Yes -- Leave It, It Can Happen, Rhythm of Love, Lift Me Up, Open Your Eyes, The Calling, Homeworld (The Ladder), Magnification.
Barclay James Harvest -- When the World Was Woken, Good Love Child.
Uriah Heep -- Easy Livin', Stealin', Sweet Lorraine.
Be-Bop Deluxe -- Modern Music, Japan, Panic in the World, Bring Back the Spark, Forbidden Lovers.
...Hope to get more into New Order, no luck yet. "Regret" & "True Faith" both still sound great, but I have yet to get through another song on their BEST OF....
The Yes tracks are from their DEFINITIVE COLLECTION, & those I heard for the first time Wednesday night sound pretty good, with just enough Steve Howe guitar & just enough Jon Anderson/Trevor Rabin vocals to make them worth hearing. "It Can Happen" still sounds marvelous, not sure why I underrated it for years; & I'm still a sucker for "Leave It." Sure would be nice to have "Changes" included here....
"Lift Me Up" has a rather good group-vocal chorus that they should've kept repeating.... Not sure why they felt compelled to add an orchestra on "Magnification," not sure it adds much, & this band always could make plenty of noise all by themselves; my favorite part is when it goes All Noisy at the end.
Speaking of orchestras, BJH's "When the World Was Woken" sounds vaguely Procol Harum-ish -- not bad, but not real memorable. "Good Love Child" is a rather dated-sounding simple rocker, with lyrics that veer toward the smutty, as these guys sometimes did. It's OK, though not as great a rocker as their "Taking Some Time On." (From THE HARVEST YEARS best-of.)
Have decided that Uriah Heep's great atmospheric backing vocals are about all that saves "Stealin'," a song I loved back in late '73 -- but I was too young to be able to catch the lyrics, & didn't even notice David Byron's kinda lame, overdone singing. It may be the lyrics, but he really Doesn't sound like A Nice Guy. As always, Ken Hensley's organ fills sound pretty great.
"Easy Livin'"'s still a classic, & it sure don't wear out its welcome. "Sweet Lorraine" was new to me -- it's OK, though I'm not sure about the howling WHO-OOOO keyboards -- but it must work as a hook, because by the end I didn't mind so much, was almost looking forward to it.... (From 20TH CENTURY MASTERS/BEST OF.)
Be-Bop's move toward something maybe a little more commercial (with their MODERN MUSIC album & definitely by the time of DRASTIC PLASTIC) didn't do them any favors. "Japan" is mechanical & boring, with an obvious herky-jerky New Wave influence. The rest are OK, & almost all feature Bill Nelson's almost-always beautiful guitar-playing. But it's not quite enough. (From RAIDING THE DIVINE ARCHIVE best-of.)
Will be continuing with the Mostly New-To-Me Stuff, stay tuned....